JALOTA MUSIC
129 comments
Review summary
Based on 129 comments, created with AI
Students overwhelmingly praise this teacher's teacher's experience, teacher personality, study material. Many students highlight referred to as 'guruji' and a 'kohinoor diamond', i...
What students talk about most
Evaluation breakdown
Top Strengths
1. Teacher's Experience and Reverence
2. Teaching Quality and Unique Insights
3. Teacher's Inspiring Personality
Areas to Improve
1. Clarifying Practice Methodology for Vocal Health
2. Addressing Minor Performance Pronunciation Details
3. Providing Explicit Doubt Support Mechanisms
What students love
“Guruji, you are a Kohinoor diamond. There is no one like you.”
2 likes
“In this 1:31 minute video, you shared very important things about music, Sir. My respects to you.”
2 likes
“Pranaam Sir. Thank you for sharing riyaaz tips.”
2 likes
“Wah sir. Golden nuggets.”
2 likes
“Anupji, congratulations on completing 1k subscribers! Wish you the best of luck.”
1 likes
“It felt good to see you in person.”
1 likes
“Pranaam Sir. Great and inspiring story.”
1 likes
“Beautiful sargam patterns by Guruji.”
1 likes
“My guru. I'm proud of you. Pranam.”
1 likes
“Sir, you explained the purity of notes and posture flaws. There is no other video on YouTube like what you shared today. This is very important teaching. Thank you very much.”
What could be better
“Respected Anup Jalota ji, I regularly listen to all your songs, which are very melodious. I am Bengali and listen to your Bengali songs (Nazrul Geeti). 'Khelicho E Bishwo Loye' was very good. But in 'Mano Japo Naam Shri Raghupatiram', there were some pronunciation mistakes. As a Bengali and a good listener, I feel it's my duty to point this out so you can sing it correctly. For example, 'Durbadalo' should not be 'Doorbadalo'.”
1 likes
“Namaskar! Anup Jalota ji, according to you, a person should practice singing all the time, apart from essential activities like eating and sleeping. Wouldn't this put too much pressure on the vocal cords and damage the voice? I believe that classical music students should practice with complete concentration only three times a day: morning, afternoon, and evening.”